Various - "Too Late, Too Late Blues": Newly Discovered Titles And Alternate Takes – Volume 1 (1926-1944) mp3 flac

Tracklist Hide Credits

1	–Blind Blake	Early Morning Blues (3057-2)	2:57
2	–Blind Lemon Jefferson	Lock Step Blues	3:05
3	–Blind Lemon Jefferson	Hangman's Blues (20751-2)	3:04
4	–George "Bullet" Williams	Frisco Leaving Birmingham (Take 3)	2:52
5	–Bessie Tucker	My Man Has Quit Me (Take 2) Piano – K.D. Johnson	3:08
6	–Memphis Jug Band	Stealin' Stealin' (Take 3)	3:07
7	–Willie Baker	Weak-Minded Woman (14782 - Test)	3:04
8	–Rev. D.C. Rice*	Will They Welcome Me There? (Test) Mandolin – Unknown ArtistPiano – Unknown ArtistTambourine – Unknown ArtistTriangle – Unknown ArtistTrombone – Unknown ArtistTrumpet – Unknown Artist	3:17
9	–Charlie Spand	Levee Camp Man (Breakdown) (Take 6 - Test)	1:31
10	–Charlie Spand	Mississippi Blues (Take V6 - Test)	2:49
11	–Robert Peeples	Worry Blues (Test)	2:39
12	–Charley Patton	I Shall Not Be Moved (Take 2)	3:02
13	–Big Bill*	Bow Leg Baby Piano – Georgia Tom Dorsey*	2:38
14	–Frank Brasswell	Mountain Jack Blues Piano – Unknown Artist	2:26
15	–Memphis Minnie	Memphis Minnie-Jitis Blues (Take B) Guitar – Kansas Joe McCoy*	3:15
16	–Kansas City Kitty & Georgia Tom	Do It Some More	3:11
17	–Kansas City Kitty & Georgia Tom	Knife Man Blues	3:11
18	–Bo Carter	New Auto Blues	3:02
19	–Big Bill*	Worried In Mind Blues	3:00
20	–Joe McCoy	Meat Cutter Blues (Alternate Take) Guitar [Possibly] – Charlie McCoy	3:08
21	–Joe McCoy	What's The Matter With You? Piano – Jimmie Gordon	2:55
22	–Memphis Minnie	Reachin' Pete (Take B)	3:10
23	–Kokomo Arnold	Milk Cow Blues – No. 5 (Test)	2:44
24	–Memphis Minnie	Running And Dodging Blues (Take 2 - Test) Bass [String Bass, Probably] – Ransom KnowlingClarinet – Arnett NelsonPiano – Blind John Davis	2:43
25	–Little Buddy Doyle	Slick Capers Blues (Test) Harmonica [Probably] – Walter Horton	2:35
26	–Lonnie Johnson	The Victim Of Love Bass [String Bass] – Ransom KnowlingPiano – Blind John Davis	3:10

Companies, etc.

• Remastered At – Studio Klement

Credits

• Compiled By, Producer – Johnny Parth
• Guitar, Vocals – Big Bill Broonzy (tracks: 13), Blind Blake (tracks: 1), Blind Lemon Jefferson (tracks: 2, 3), Charley Patton (tracks: 12), Charlie Burse (tracks: 6), Memphis Minnie (tracks: 15, 22, 24), Vol Stevens (tracks: 6), Western Kid (tracks: 14), Willie Baker (tracks: 7)
• Harmonica, Speech – George "Bullet" Williams (tracks: 4)
• Harmonica, Vocals – Will Shade (tracks: 6)
• Kazoo, Vocals – Ben Ramey (tracks: 6)
• Lead Vocals, Jug – Jab Jones (tracks: 6)
• Liner Notes – Roger Misiewicz
• Piano, Vocals – Georgia Tom (tracks: 16, 17)
• Speech [Sermon], Choir – Rev. D.C. Rice* (tracks: 8)
• Vocals – Bessie Tucker (tracks: 5), Kansas City Kitty (tracks: 16, 17)
• Vocals, Guitar – Big Bill Johnson (tracks: 19), Bo Carter (tracks: 18), Georgia Pine Boy (tracks: 21), Kokomo Arnold (tracks: 23), Little Buddy Doyle (tracks: 25), Lonnie Johnson (tracks: 26), The Mississippi Mudder - Mud Dauber Joe* (tracks: 20)
• Vocals, Guitar [Probably] – Robert Peeples (tracks: 11)
• Vocals, Piano – Charlie Spand (tracks: 9, 10)

Notes

Original recordings from the collections of: Bob Graf, Mike Kirsling, Fritz Marschall, Roger Misiewicz, George Paulus, Chris Smith, Mike Stewart, Gayle Dean Wardlow, and Pete Whelan.

Original Matrix Information:
1: Chicago, c. October 1926 (3057-2, Paramount 12387)
2: Chicago, c. July 1928 (20750-2, Paramount 12679)
3: Chicago, c. July 1928 (20751-2, Paramount 12679)
4: Chicago, c. May 1928 (20592-3, Broadway 5085)
5: Memphis, Tennessee, August 29, 1928 (45445-2, Victor unissued)
6: Memphis, Tennessee, September 15, 1928 (47037-3, Victor unissued)
7: Richmond, Indiana, February 7, 1929 (14782-A, Gennett unissued)
8: Chicago, July 22, 1929 (C-3924-A, Vocalion unissued)
9: Chicago, c. September 1929 (6, Paramount unissued test)
10: Grafton, Wisconsin, c. September 1929 (V6, Paramount unissued test)
11: Grafton, Wisconsin, November 1929 (L-188-1, Paramount unissued test)
12: Grafton, Wisconsin, December 1929 (L-62-2, Paramount 12986)
13: New York City, April 11, 1930 (9627-2, Perfect 163)
14: Richmond, Indiana, May 2, 1930 (16575-B, Gennett 7210)
15: Chicago, June 5, 1930 (C-5822-B, Vocalion unissued)
16: Chicago, March 12, 1931 (VO-133-A, Vocalion 1613)
17: Chicago, March 12, 1931 (VO-134-, Vocalion 1613)
18: Atlanta, Georgia, October 24, 1931 (405017-1, Columbia 14671)
19: Richmond, Indiana, February 9, 1932 (18382, Superior 2837)
20: Chicago, August 16, 1934 (C-9301-alt. take, Decca 7009)
21: Chicago, January 9, 1935 (C-9639-A, Champion 50057)
22: Chicago, May 27, 1935 (90018-B, Decca unissued test)
23: New York City, February 18, 1936 (60514-A, Decca unissued test)
24: Chicago, December 15, 1937 (C-2055-2, ARC unissued test)
25: Memphis, Tennessee, July 1, 1939 (MEM-19, Columbia unissued)
26: Chicago, December 14, 1944 (D4AB-330, Bluebird 34-0742)

The version of track 10 used on Document DOCD-5108 is incomplete; the complete version is included here.
Only fragments of tracks 9 and 11 have survived on unissued Paramount test pressings; both are included here.
The versions of tracks 2 and 3 reissued on Document DOCD-5019 are masters 20815 and 20816 recorded c. August 1928.

Barcode and Other Identifiers

• Matrix / Runout: DOCD-5150 33 A3
• Other (SPARS Code): AAD
• Rights Society: Austro Mechana